The
concept of a venue south of Adelaide which supported writers of
songs, instrumentals and poetry, arose from a discussion in mid
2009 among a small group of singer songwriters who had been meeting
regularly to share their ideas and their music. From that, the
locating of a suitable venue occurred almost by accident –
although Willunga with its strong arts focus was always high on
the ‘possibles’ list.
When David and Julie Stuttard of the Peacock Farm were approached
with a view to supporting a music venue, they embraced the whole
concept and have become not only sponsors, but also a great source
of ideas and inspiration.
The name ‘Acoustic Peacock’ demands little explanation.
The choice of the word ‘acoustic ‘is more about the
type of sound we were looking for, more so than an expectation
of performing ‘unplugged ‘. We have an excellent sound
engineer who is able to meet the ‘sound’ needs of
our performers.
We didn’t want the ‘Acoustic Peacock ‘to carry
a label of supporting only a particular genre of music –
it is a broad church so to speak. At this point in time, performers
have entertained audiences with musical influences which range
from blues and roots to bluegrass, country, country rock, pop
and folk – in contemporary or traditional styles. There
is an expectation though, that at least two thirds of the material
presented by support and main acts is original.
The format was an important consideration, given the emphasis
on original works and the need as we saw it, to make the venue
as accessible as possible to all writers, regardless of experience
and expertise. To that end we decided to open the evening with
an ‘open mic’ time slot giving each participant a
maximum of 10 minutes to share their songs or poems with the audience.
This would then be followed by a 30 minute support act and in
turn a 45 minute main act. After the audience would be invited
to take part in an open session, taking the evening through to
midnight. With the bar operating through the night, and food always
available, there’s plenty to sustain musicians and audience
alike.
It is made clear to the audience from the outset, that this is
a ‘listening’ venue, that opportunities to drink and
chat present themselves regularly throughout the evening. The
intention always is to support the performer. It is the number
1 priority.
Without the sponsorship of the Willunga Peacock Farm and the enormous
contribution by major sponsor Peter Thornton, the ‘Acoustic
Peacock’ would have been nothing more than a nice idea.
Steve Nye of Clippers Hair Design must also be acknowledged for
his generous offer of vouchers to those who take part in the open
mic session.
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